Ro-Busters: The Disaster Squad of Distinction

What I try to do with reviews at this Bookshelf blog is keep it simple and spoiler-free, and let you know whether I'd recommend you pick up a copy of what I just read. Seems to work okay. This time, a brief review of Ro-Busters: The Disaster Squad of Distinction (Rebellion / Simon & Schuster, 2014).


Back in the mid-1980s, when all of the various series within 2000 AD were licensed for collected editions by Titan, one of the must-have books was the first of two volumes of Ro-Busters. This was a terrific series written by Pat Mills and featured the exploits of some squabbling working-class robots used as disposable fodder for very dangerous rescue missions. Two of them - an unruly and cantakerous sewage-shoveling droid called Ro-Jaws and a full-of-himself army surplus sergeant called Hammerstein - were the leads. They worked for an unscrupulous cyborg super-capitalist called Howard Quartz who genuinely didn't care whether any of his property lived or died, because Ro-Busters was just one of hundreds of robot-staffed operations that he had going.

That original 80-page Titan collection of Ro-Busters has been out of print for many years, but Rebellion has reissued it in a new, expanded edition in conjunction with its American publishing partner, Simon & Schuster. Now 112 pages, it reprints the same stories as that original book - mostly illustrated by Dave Gibbons, with a few pages by Kevin O'Neill and by Mike Dorey - but bookends them with some interesting additions. Ro-Busters actually began in a different comic, 2000 AD's short-lived sister title Starlord, and this book has the first four episodes from that comic. These are drawn by Carlos Pino and by Gibbons. In the back of the book are a couple of neat curiosities - two of the three one-off Ro-Busters episodes that were written by Alan Moore rather than by Mills, with art by Steve Dillon and Bryan Talbot.

As far as I'm concerned, any book to feature that much artistic talent - seriously, Dillon, Gibbons, O'Neill, and Talbot under one set of covers?! - could be written by anybody and still be worth buying. Gibbons' epic "The Terra-Meks," in particular, features page after page of giant robots pummeling each other. The third part of that story is just a tour de force. I can't think of too many other artists in comics that have ever drawn a scene of giant robot combat as brilliant as that. It's masterful.

As for the stories, they're just remarkably fun. Perhaps through the new eyes of a jaded adult, these might appear clunky and dated, but they're kids' comics which nevertheless resonate. Ro-Jaws is such a fun character, vulgar, to the point, and totally lacking any circuits of discretion or tact. Hammerstein is such a straight man that Mills would, in much later stories, go a little too far in showing him up as a chump and had to scale things back to make him a hero again. These characters have lasted long beyond the very brief original run of Ro-Busters, actually. The series proper ended in 1979, with Alan Moore's bonus episodes appearing in the old harback Christmas 2000 AD Annuals in the mid-80s, but the characters have resurfaced in the very long-running spinoff ABC Warriors, which still shows up with a dozen or so new episodes every couple of years.

Ro-Busters is simply a great, inventive, and very fun series, suitable for all ages. Buy two copies of this book: one for yourself to keep in mint condition on the shelf and one for a nine year-old of your acquaintance to read until it falls apart. Any nine year-old who isn't wowed by this, there's something wrong with that child. Highly recommended.

A PDF of this book was provided by the publisher for the purpose of review. If you'd like to see your books (typically comics or detective fiction) featured here, send me an email.

Judge Dredd: The Restricted Files 02

What I try to do with reviews at this Bookshelf blog is keep it simple and spoiler-free, and let you know whether I'd recommend you pick up a copy of what I just read. Seems to work okay. This time, a brief review of Judge Dredd: The Restricted Files Volume 02 (Rebellion, 2010).



This is the second in a two-volume set that covers all of the various Judge Dredd episodes of the 1980s that did not originally appear in the weekly 2000 AD comic. The publishers, at the time IPC, used to release various annual hardbacks and special editions where additional adventures of the lawman of the future could be found, and these stories, long desired by fans to be collected alongside the weekly episodes, have finally found a home in these two books.

Honestly, there isn't anything in book two as wild and fantastic as the better moments in the first volume, but there isn't anything as dire as that book's first ninety-odd pages, either. As I mentioned in my review of that book, the first several annuals and specials for 2000 AD were compiled by various editorial staffers working anonymously, few of whom had a grasp on the still-developing character of Dredd and his growing world. Until John Wagner became interested and took control of those projects, they were patchy at best.

With Wagner, joined in 1983 by Alan Grant as co-writer, in charge and defining a clear world, and worldview, for Dredd, the one-shot episodes maintained a consistent tone. True, with only a handful of pages per story, they couldn't really dig into things with the detail afforded a multi-week serial in 2000 AD itself. In some cases, like a Mike Collins-illustrated episode about a heat wave, the plot is given over to fantasy. But with a consistent approach, a dry wit and a taciturn leading man, the stories are uniformly entertaining, with few or no fumbles across close to 400 pages.

As usual, there's a pile of really great art from many Dredd regulars. Cam Kennedy is well-represented with one of my favorites of his many times drawing Dredd, "I, Beast," and he's in good company with Carlos Ezquerra, Ian Gibson, Arthur Ranson and others. I think my favorite story in the book might be one of the longest, "Last of the Bad Guys," which was painted by John Higgins. Honestly, there's not a bad-looking page in this book, but I think that Higgins, one of the title's unsung heroes of the period, might have done the best work in the collection. Bryan Talbot illustrates a really funny story that shows what happens when Justice Department's undercover division can't rustle up enough female judges for a case, and Brendan McCarthy is psychedelic, wild and mind-blowing on a couple of very colorful episodes.

Again, nothing in these pages is as completely breathtaking as some of the Mike McMahon material in volume one, but that's not to say anything here is lacking. It's a really terrific reprint, full of clever, surprising plot twists and it's long overdue. It's presented on nice paper, chronologically, and very well designed. Darned if I can find a flaw in it at all, to be blunt. Highly recommended!

Showcase Presents JLA vol. 3, The Complete Nemesis the Warlock vol. 2

Here's how this works: I finish reading something, and I tell you about it, and I try not to bore you to death.



Read this panel, carefully:



The whole book is like this, except the first half is inked really horribly. None of the art is really inspiring or thrilling, but the Sid Greene-inked stuff in the second half at least looks a little vibrant. Utterly nutty, high-concept lunatic stuff with completely bizarre threats, this is incredibly addictive despite Gardner Fox's often by-the-numbers plot beats. Recommended if you like Grant Morrison, because you see a lot of what inspired him here. Not recommended if you don't.



You can't think too hard about the stories in this book; there's an overarching plot about the evil Torquemada being pulled out of history and placed in a time loop which doesn't make any sense whatsoever. You just have to go with the flow and enjoy the characterization, with Torquemada's incredibly nasty villainy, Nemesis's morally ambiguous decisions, and amusing comedy asides from the disgusting Ro-Jaws. As for the artwork, Bryan Talbot is indeed impressive, though I don't like the way he draws Nemesis as so muscular. Kevin O'Neill's freaky, angular anti-hero is the definitive article, but then John Hicklenton shows up. His panel composition is pretty challenging, but it was an incredibly bold move to let him turn the ostensible hero into this weird, curvy, very organic and very alien thing, his torpedo-like nose transformed into a strange snout. The page where Torquemada spits on his sword before chasing down Thoth is just about the most ominous and ugly sight in comics. This also includes the comic/RPG hybrids from the pages of Diceman and the two bizarre fumetti comics from 1987. Recommended.

(Originally posted March 06, 2008 at hipsterdad's LJ.)

Peanuts 1965-1966 and Judge Dredd: The Complete Case Files 09

Here's how this works: I finish reading something, and I tell you about it, and I try not to bore you to death.



Among the treats in this eighth collection: the debut of Peppermint Patty, who's even more confident in her cluelessness than you remember, a never-before-reprinted sequence about Snoopy journeying off to be the keynote speaker at a Daisy Hill Puppy Farm convention and not arriving, and the first several sequences with the World War One flying ace. Probably recommended higher than any of these other super volumes, really.



Oh, there's a whole bunch of great stuff in this collection of 50 episodes from 1985-86, featuring really great art from all those names you see below in the tag. It starts with "Midnight Surfer," one of the all-time greats, and ends with the breathtaking "Riders on the Storm," Brendan McCarthy's first Dredd in the way-out style he's known for. Recommended!

(Originally posted February 21, 2008 at hipsterdad's LJ.)