Chaos Edition with the Girls of St. Trinian's and Nemesis the Warlock

Here's how this works: I finish reading something, and I tell you about it, and I try not to bore you to death.



No, wait, forget what I said about America. Right here, this is the reprint book of the year, the book to beat. It completely surpassed my expectations, giving 176 pages of Ronald Searle's gleefully demented, mean-spirited drawings of little hellions murdering each other and passing out drunk. And only a few appear to be teenagers like in the films and the book's cover (she is a recurring character called Angela Menace), for the most part, the gags center around little kids who've transformed the school gym into a torture dungeon, take baths in the Trevi Fountain and catch fairies on flypaper. St. Trinian's was never a recurring strip or panel, and there are probably far fewer of them than readers might think; like Charles Addams' single-panel comics, they would appear as sidebar illustrations in magazines and occasionally readers might recognize some recurring characters or places in them. It's very like The Addams Family, in fact, only done with even more gusto and eye-popping shock. Highly, highly recommended... especially if you're that family of Mike Huckabee supporters across the street from me or that bunch that's afraid of Doctor Who behind me, because you're needing this badly.



In three large books, Rebellion has compiled the entire run of Pat Mills' Nemesis the Warlock. This last volume includes three long-form stories with art by David Roach, John Hicklenton and Henry Flint, along with supplemental art by several others, including Kevin O'Neill, who was working on League of Extraordinary Gentlemen in late 1999 and was pulled away for the series' final episode, and Chris Weston, who contributes a fascinatingly ugly color story about the evil Torquemada's long-suffering wife Candida. This is all great stuff, free from the confusing "time loop" business that made the second book a bit of a head-scratcher, and Rebellion did an excellent job restoring the several color pages and reprinting them along with the black-and-white stuff. It must have been a production nightmare to put this volume together! Nemesis has aged very well, and depicts a "hero" whose contempt for his enemy isn't much like anything else in comics, and I certainly can't name two opponents who are each guilty of murdering the others' children. On the other hand, you don't often get the sense that Torquemada has the upper hand, but underestimating his power, and his hold over the bigotted, hateful, stupid human race depicted here is a mistake that Nemesis makes a time or two. Highly recommended.

(Originally posted April 28, 2008 at hipsterdad's LJ.)

Showcase Presents JLA vol. 3, The Complete Nemesis the Warlock vol. 2

Here's how this works: I finish reading something, and I tell you about it, and I try not to bore you to death.



Read this panel, carefully:



The whole book is like this, except the first half is inked really horribly. None of the art is really inspiring or thrilling, but the Sid Greene-inked stuff in the second half at least looks a little vibrant. Utterly nutty, high-concept lunatic stuff with completely bizarre threats, this is incredibly addictive despite Gardner Fox's often by-the-numbers plot beats. Recommended if you like Grant Morrison, because you see a lot of what inspired him here. Not recommended if you don't.



You can't think too hard about the stories in this book; there's an overarching plot about the evil Torquemada being pulled out of history and placed in a time loop which doesn't make any sense whatsoever. You just have to go with the flow and enjoy the characterization, with Torquemada's incredibly nasty villainy, Nemesis's morally ambiguous decisions, and amusing comedy asides from the disgusting Ro-Jaws. As for the artwork, Bryan Talbot is indeed impressive, though I don't like the way he draws Nemesis as so muscular. Kevin O'Neill's freaky, angular anti-hero is the definitive article, but then John Hicklenton shows up. His panel composition is pretty challenging, but it was an incredibly bold move to let him turn the ostensible hero into this weird, curvy, very organic and very alien thing, his torpedo-like nose transformed into a strange snout. The page where Torquemada spits on his sword before chasing down Thoth is just about the most ominous and ugly sight in comics. This also includes the comic/RPG hybrids from the pages of Diceman and the two bizarre fumetti comics from 1987. Recommended.

(Originally posted March 06, 2008 at hipsterdad's LJ.)