Rogue Trooper: Tales of Nu-Earth Volume 1

What I try to do with reviews at this Bookshelf blog is keep it simple and spoiler-free, and let you know whether I'd recommend you pick up a copy of what I just read. Seems to work okay. This time, a brief review of Rogue Trooper: Tales of Nu-Earth Volume 1 (Rebellion, 2010)



Here's a book which, honest to heaven, I did not need. I don't mind the reputation I get as one of 2000 AD's online cheerleaders, and as I have cut way, way back in buying new comics, it's only the constantly-improving, mindblowing platinum age of the Galaxy's Greatest Comic (well, and Legion of Super-Heroes) that has my ongoing interest in the medium at all these days, and it's sort of expected that I'll buy all these things the publisher releases. But Rogue Trooper is far from my favorite property in the 2000 AD world, and this is a series that has been reprinted a lot. Unfortunately for my wallet, I neglected to send an exception to my regular order at my favorite comic shop, and, well, now I have these stories for at least the fifth time.

Having said that, if you've never read Rogue Trooper before, you could certainly do a lot worse. This collects all of the character's adventures from 1981 to 1983, written by Gerry Finley-Day and illustrated, brilliantly, by the likes of Dave Gibbons, Eric Bradbury, Brett Ewins, Cam Kennedy and Colin Wilson. The artwork really is terrific. I've long lost interest in revisiting these storylines, but the artwork constantly sucks me right back in.

These are future war adventures set on a hellworld with poisonous atmosphere. The only man who can breathe in this toxic nightmare is the last of a company of genetically-engineered super-soldiers. He's accompanied by the squabbling dogtags of three of his dead buddies - "biochips" which retain personalities and memories until they can be returned for newly-grown bodies. But since our hero's company has been betrayed by a traitor general and the ironically-named Rogue has gone AWOL to track that man down, they can't be returned any time soon.

I've always accepted that Rogue Trooper is a great icon for merchandising and adverts - Rebellion made a good video game of him in 2006 - thanks to Gibbons' simple, but memorable design. But honestly, these stories are pretty darn juvenile, without the necessary kick that keeps them interesting for older readers. Preteen boys would eat this up before anybody else, although the artwork is a selling point on its own. Also of interest are two bonus episodes. The meat of the book reprints all of the weekly episodes from about a 19-month stretch, but among the bonus supplements are two rare episodes scripted by Alan Moore that originally appeared in the old annual hardbacks. One of them is pretty by-the-numbers; the second, with art by Jesus Redondo, is probably the best story in the book.

For those of you who've kept an eye on Rebellion's ongoing reprint program of the last six years, Tales of Nu-Earth 01 collects the entire contents of the two books released some years ago in partnership with DC, plus the Alan Moore episodes, plus the first seven episodes from the third book, which Rebellion released without DC's involvement. It's a very nice upgrade, as upgrades go, just not one that I personally needed. If readers would please excuse my lack of enthusiasm, I do recommend this for the art - there's not a page of Gibbons that shouldn't be owned by everybody who likes comic art - but really only for readers who have not bought the previous editions.

The Best of Battle

What I try to do with reviews at this Bookshelf blog is keep it simple and spoiler-free, and let you know whether I'd recommend you pick up a copy of what I just read. Seems to work okay. This time, a brief review of The Best of Battle (Titan, 2009)



Battle Picture Weekly was, of course, one of the best and most important comics ever published. It wasn't just a simply entertaining, well-written and drawn collection of great war stories, it was a critical building block in the development of modern comics. Since without it, you'd never have had a 2000 AD, I've always been interested in it, and any chance to see these terrific stories is one worth taking.

The series and serials in BPW were drawn by some of the best artists working in Britain at the time, including Eric Bradbury, Joe Colquhoun, Carlos Ezquerra, Cam Kennedy and Mike Western. Many of the stories were devised by Pat Mills and John Wagner, and while they only scripted a few themselves, they assigned others to the likes of Gerry Finley-Day and Alan Hebden. They all developed storylines, sometimes sharply different from each other in tone, with vulnerable anti-heroes, radically different from the indestructible leads in American war comics. Reading just one issue of BPW after an identikit Robert Kanigher DC adventure is the greatest breath of fresh air in the medium.

Titan Books, which has been collecting Battle's most lauded strip, Charley's War, for several years now, landed the reprint rights to several old IPC properties what seemed like an eternity ago, and late last year finally released the first of their new Battle collections. The Best of Battle is similar in feel to their two Roy of the Rovers samplers, three hundred pages of reprints in a slightly oversized format with a paperback cover. The book contains the first 3-5 episodes of eighteen different series. Each comes with an introductory page and a short blurb written by either Mills or BPW's one-time editor, Dave Hunt.

I think the format is a good one, as far as samplers go, but it looks to me like Titan was a draft or two shy of assembling something really special. The most aggravating example is Hold Hill 109, a six-part serial by Steve MacManus and Jim Watson. Four of the six episodes are included in this book, which is nice, but what are the odds that Hold Hill 109 will ever be reprinted anywhere else? Between Charley's War, Johnny Red and Darkie's Mob, there are 12-13 episodes which are either already available in Titan collections or are due for release within a few months. Couldn't eight of those pages be given up to see all of Hold Hill 109?

I'm also a little surprised that Battle Action Force isn't even mentioned in the book. Admittedly, even with the nice artwork by John Cooper, the toy line tie-in, sort of a parallel antecedent to Hasbro's G.I. Joe line of the 1980s, was the sign that the comic's brightest moments had passed, but it still has a huge number of fans. Evidently there's some rights issues at work, as Palitoy still owns those characters like Baron Buckethead or whoever it was they were fighting prior to Cobra Commander, but considering just how important the Action Force was to Battle's later days - Johnny Red and Charley's War wouldn't have made it to their ends without Action Force sales propping up the comic - I think it should have been mentioned.

If readers would forgive the regular quibbling of a Monday morning quarterback, the book is truly a fine introduction to Battle, and one which will certainly get new readers excited about the other material Titan has planned. Six volumes of Charley's War are already out, the first collection of Johnny Red should be with us by the end of the month, and a complete Darkie's Mob - all 44 episodes - is solicited in the current Previews for later in the spring. The book also promises that collections of two of my favorite Battle series, Major Eazy and Rat Pack, are on the horizon.

The only other quibble that I have is that getting accurate shipping dates and advance plans from Titan is really like pulling teeth. Most of their books seem subject to interminable delays - where the devil is the third volume of Jeff Hawke, guys?! - and so it's impossible to guess exactly when we'll get the follow-up volumes that I've been craving. It's simply bad business to serve up an appetizer as tasty as this and shy away from the main course!

(Excerpted from Reprint This!)

Albion: Origins

Here's how this works. I read a book or two and tell you about them and try not to get too long-winded. This time, a review of Albion: Origins (Titan, 2007).



A couple of weeks ago, I told you about Albion, a misfire of a series which sought to resurrect a number of classic British comic characters. In a neat bit of cross-company promotion, the good fellows over at Titan Books assembled a hardcover tie-in volume called Albion: Origins which presented some of the characters' original appearances. Featuring new artwork by Brian Bolland on its dustjacket, it's a good introduction for curious readers and a fine nostalgia property for people who've sampled this sort of material previously.

It's a little uneven, and I think the indestructible hero of Kelly's Eye gets a few pages more than he really warrants when everything else in the book is more entertaining, but it's a perfectly nice sampler. Kelly's Eye is represented by a single, 22-part serial written by Tom Tully that has him fighting a mad Seminole warlord in the Everglades. It's fun, albeit incredibly dated.

Three other stories are featured: House of Dolmann is represented by four one-off adventures and a two-parter. Victorian escapologist Janus Stark gets two one-offs and a two-parter, and the mysterious mage Cursitor Doom features in a terrific six-part story. I've read some of Doom's adventures before, renamed for some reason as "Amadeus Wolf" in the old horribly-colored Quality Comics anthology Spellbinders, and would love to see more of this gorgeous Eric Bradbury artwork.

I think it's a pretty good sampler, but personal petulance does color my overall feelings about it. I'm still hoping for second volumes of The Steel Claw and King of Crooks from Titan, but there's a feeling that this book is effectively "volume three" of Titan's look back at old characters, with nothing new on the horizon. I really hope Titan ramps up production on heritage books like this. Even with the Kelly's Eye story being the weakest of the four features, I still recommend this for all readers.