I really enjoy reading what Mills has been doing with this timeline of future Earth over the last several years. As I mentioned when I wrote about the most recent book of Savage a couple of months ago, a lot of it seems to come from Mills stepping back and looking at the canvas of a quarter-century of stories and finding places where he can connect odd little trinkets and throwaway continuity points into sweeping stories. For example, a big chunk of Return to Mars, which originally appeared across three months of 2000 AD early last year, stems from a one-off line in a 1984 story explaining that, as the ABC Warriors reassembled as supporting characters in the pages of Nemesis the Warlock, one of their members had been killed in a bar fight.
Return to Mars shows us that fight, and the character, Happy Shrapnel, meeting his grisly end, and then, centuries later, being resurrected along with every other dead thing on the planet - a plot point from a one-off episode that was published something like fifteen years later and had nothing to do with Happy Shrapnel. And then Happy, working as armorer and mechanic for his robot comrades, is seen to be working in the background of all the subsequent stories that Mills has written over the last decade and change, including the one that sparked the argument between Mills and Diggle.
The amazing thing is that this doesn't feel at all like obsessive continuity porn from some lunatic obsessed with finding every last point that needs a resolution. Happy's tale weaves in and out of many previous adventures, but familiarity with them isn't at all necessary to following - no, loving this story. It's marvelous. Mills takes a character who hasn't been used since 1979, treats him as brand new, not counting on nostalgia, and recasts him as the cowboy who does not want to kill again but is forced to. When, against his wishes, a human teenager adopts him as his "father," you'll be counting the pages until the boy's murder will bring Happy out of retirement - it's an obvious enough trope that this shouldn't be a spoiler - but the circumstances are sure to surprise everybody.
The artwork is by Clint Langley, who's illustrated all of the Warriors' more recent adventures. As with the previous story, it's a mix of his beautifully bizarre computer manipulation for the "present," with pen and brushwork for most of the flashbacks. He's equally comfortable with his own outlandish designs for new characters as he is reusing, for example, Mick McMahon's old "humpies" from much older stories. It all looks beautiful, and the flow from computer color to pen-and-ink black and white never jars.
It's all packaged in a gorgeous hardback that can be shelved alongside the previous five Langley-illustrated editions, and it sets up the action in the next ABC Warriors installment, which will begin serialization a little later this year. Of course, having said that, there are so many plot threads in this adventure that it might be setting up the action for the next nine or ten installments. For longtime readers, it's a thrill from start to finish, and for new readers, it might even be the best jumping-on point that the characters have ever had. Happily recommended!
A PDF of this book was provided by the publisher for the purpose of review. If you'd like to see your books (typically comics or detective fiction) featured here, send me an email.