Thursday, December 4, 2008

Anderson Psi Division: Shamballa



In other news, I decided to take a break from the What I Just Read feature/tag in my LiveJournal, mainly because I've grown tired of finding new things to say about my reading pile. But I did want to continue spotlighting the 2000 AD books, because many occasional readers miss the announcements elsewhere, and they are, as ever, very poorly promoted in the comic news-blog-world.

Back in '05, DC released a collection of Anderson: Psi Division which compiled the three 12-part adventures that originally appeared in 1985-87. Rebellion did not follow up on this book until recently, and they've made the curious decision to make this book an artist-focussed trade. Shamballa is a nicely satisfying chunk of a book, and it contains something like forty episodes, originally published throughout the nineties, all featuring fantastic color artwork by Arthur Ranson. It is not a complete Ranson collection; his first story, the black and white "Triad" serial, is not here, and neither is some of the more recent material from the Megazine, the stuff with the strange demon Half-Life, and Psi-Judge Shakta and Juliet November. But what is here makes for some pretty good reading. Ranson is a wonderful artist and some of these stories are very good. Well, apart from the brow-furrowing, disappointing damp squib of an ending to "Satan," a story which was very promising for many pages before petering out.

However, I can't completely get behind this book because while an incomplete Ranson collection is understandable, an incomplete Anderson collection is completely baffling. Alan Grant navigated the character through a fascinating series of stories, with character growth you certainly do not see with Judge Dredd, and there are, as a natural effect of the character-based continuity storytelling, several maddening references to the things skipped by this reprint. For example, between the incidents of "The Jesus Syndrome" and "Satan," there were three lengthy Anderson stories in the Megazine, all of which are missed in this collection but are nevertheless referenced in the stories that Ranson illustrated. The result is very piecemeal and felt very frustrating to me. Honestly, it's less of a spotlight for Ranson than it is a missed opportunity, regardless of how gorgeous the artwork is.

(Excerpted from Thrillpowered Thursday December 04, 2008.)

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